My knitting was pushed aside this week,

In favor of books, bookbinding. So today I thought I would distract you all with images of the most recent, and the most challenging. That way you might not notice the lack of knitting content, then again ... given the title of the blog that may be a little optimistic.

When ever I'd Google for bookbinding information, especially for tutorials I'd find many many well put together and informative tutorials and helpful sites. Bookbinders seem akin to knitters, with a willingness to share that can only be called generous. Amongst the information I found there were almost always references to a binding called secret Belgian binding. At first I ignored those posts, the clearest instructions seemed rather confusing ... Diagrams showing many holes and a complex stitching path. So I found other bindings to practice. I bought bookbinding books. Then this week one of my students asked if I knew about the secret Belgian binding, and as a class we had one of those conversations about how nothing on the Internet should really be called secret. After that I thought I really should look more at what was so special about the binding ... And maybe even play a little with it.

I dug a little deeper, well rather I read all the posts I had ignored about the SBB, and found out why it was held in high regard by so many. I also found that the binding had another name, the criss-cross binding, and a few storys that explain different origins here & here. All in all the book seemed to have some clear benefits, pages that lay open flat, a spine as flexible as a Coptic bound book but all covered and protected with a hard spine. So I thought I would try to follow the instructions. It wasn't hard, just detailed, fiddly at times, and I found that I had to read the instructions and follow them - not anticipate the next stage. I was glad I had a few dozen books of different types experience before I started this one.

So I started, and committed to making an A4 book, folded from a brand new pad of quality A3 art paper (expensive!) and covered in bookcloth (also expensive - usually I restrict bookcloth to the spine to make my meager stash last longer). This is the equivalent of casting on with the best yarn in the stash. But unlike knitting, some of the materials can't be unravelled and returned to a neat and ready state if it all goes wrong.

I made the covers and prepared the pages, and then strung the covers together, in this binding the covers consist of a front and back board with a separate spine board. Holes are punched near the hinge edges of the front and back cover boards. The cover is assembled by lacing the spine between the front and back covers. One of those trickier to start, and tricker to explain but actually quite straightforward when underway processes. With the cover assembled the signatures - that would be sets of pages, are stitched inplace. In this binding the signatures are stitched to the lacing that holds the covers together.

I usually find curved needles tricky to use, I can't seem to predict where the point will go and find them much trickier to manipulate than straight needles, they rotate in my fingers and point in odd directions, but for this work I needed a curved needle. The shape was perfect for threading the signature threads under the cover threads. I laced the cover with dark navy and sewed the signatures with white thread.

Here is the book all complete, cover closed and neat. Now I understand the process I would make changes next time. Firstly I would punch with a much smaller hole, and I would use much thicker binding cord. This is ok, but thicker cord would make the binding more visable, more dramatic. I was worried about making the holes too small to pass a needle and thread through three times, which is what is done in this binding. Turns out with this size thread I could have had much smaller holes. Next time I will swatch the thread and hole size before I committ to punching the holes in the covers.

This is the interior view, see how nicely the pages lay open, partly because they are super thick 200gsm Fabrino recycled artists paper. Mostly because of the way the binding hinges each set of pages off a very flexible cord arrangement.

Below shows the rather neat first page view, how the pages meet the covers ... I like this very much. This book took much of today to make, mostly as I didn't know what I was building up to. I think this is a much more time consuming bind than the saddle stitched, Coptic or tapped signatures - and one I will work again. I think for me this may become my sketch book binding. But then again I'm just a learner ... At the start of a journey and I imagine there are many many more binding options for me to discover and explore.

Na Stella,

Take care

 

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New, new, and new

Hello, I'm still here, and still knitting, there are two new projects, one i can share, and one I can't. Little cub celebrated her birthday a week or two ago and at eleven she seems more grown up than ever before.

 

One of the new projects is a new hat for Bear. He starts a new job Monday, one that should involve more out and about than the previous job. Out and about on roads and off road, so a repeat of Hope he never needs this seemed in order. Here is the start, 156 stitches on 2.75 mm needles, exqctly the same yarn as the first one as I am using th left overs. Two by two rib for seven inches .... Might not be a lot of progress to show on this for a while.

 

And this is the other project that is new on my needles, something for this years secret swap partner. I could tell you all about it, the colour, the pattern, the idea, the gauge, the intended recipient ... But it's a secret so I can't. Suffice to say that this project got off to a rocky start, with a fair bit of ravelry pattern searching, two false project cast ons, several yarns wound from skeins to balls ...and abandoned, before settling on this project, this colour and this yarn. Reveal date is 6th July ...so not long to go now. And before you all go 'well i can see its grey', it's not, just a greyscale image.

And this is how little cub celebrated her eleventh birthday. She desperately wanted a cake-pop set from the Total Food Equiupment. That is one of those shops with le creuset pans, amazing coffe grinders worth more than our car, and chef styled utensils. Cake pops are a special set of top and bottom cake tins that lock together so the cake is cooked in small spheres. Even thought this seems like a kid type present - and by the time she finished dipping the pops in melted chocolate and sprinkles it seemed as girly as it could get, this aling with all her othr presents was a quit grown up gift, there were no toys amongst them at all. The cake pop tins a close to toys as she wanted, other gifts included a new gretch resonator ukelele and a pink touch screen phone. My baby cub is growing up, and I think I'm ok with it, she squealed when she saw th uke and the cake pop tins.

Well between the boring hat knit, and the secret project I'm not sure there will be a mid week post, I'm teaching bookbinding full time for the next three weeks, so there is lots to do for that as well. Back soon - with a reveal or progress.

Na Stella.

 

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Just in time for winter

Here, and knitting, and making progress. Last night I finally finished the wip that I started in February 2012. A pair of fingerless mitts, knit in the sanquhar style on 1.5mm needles.

Finally done only five months late

These started as a knitters study group project way back in February 2012, there was some stopping and starting and frogging as I realized that to make these to fit me I would have to use teeny tiny knitting needles. The pattern is Compass Rose by Beth Brown Reinsel, and was for gloves, but I knit mine as fingerless mitts. The only way to size these is using smaller (or larger) needles and yarn. The thought of working ten digits on such small needles was beyond me. I love the gauge, 30 stitches in 2.5 inches, or 12 stitches to the inch ... But I don't like knitting at that gauge. Those teny tiny needles are just to hard to hang on to for any length of time. Now I just have to block and enjoy - and explain why they have last years date on them. Oh the signs of an optimistic knitter. Imagine thinking I could knit these in a mere 10 months? Now I know they need at least 15 months especially as I juggle several projects, I am easily distracted, and so I spin and do other things in my 'relax' time. Next time I should add the date to the second one not the first.

And you may have noticed the seasonal photo. We have snow, real falling and staying snow, early snow. Bear who is a repository of local weather lore keeps mentioning how we shouldn't get snow before Queens birthday weekend, which is this weekend. And here we have snow in late May. Little cub thinks this is just the best early birthday present.

Not only that but significant snow, still snowing after sun rise snow, schools closed for the day snow. That in itself is unusual as dunedin schools are so used to snow that melts mid morning that the usual response to snow is a delayed start of 10 am. Not today, the radio broadcast all primary schools are closed, and elder cubs secondary schools is as well. I am relieved that I don't have to navigate slippery icy roads to get him to school. That is one thing that makes me tense, driving on ice and compacted snow.

This is what we awoke to this morning, and I love that my 2011 birthday snow gate looks spectacular in the snow.

Snow gate 2013

Now I have only one unfinished languishing wip ... Tammy, even older than the 2012 mitts, as it dates from 2011.

Na Stella ...

Ps it is still snowing

 

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20,736 stitches later

And my pi shawl is done. Started 17th August 2012, finished 18th March 2013, blocked one day later. The sheer number is stitches explains the long delay for this post, there wasn't much progress to show ... Just row after row of a garter band.

 

Here the shawl before blocking, and to explain the 20,736 stitches, I decided to add a nine-stitch garter band as the edge. Which meant that I worked nine stitches up and nine stitches back for each of the 1,152 stitches of the last full round. Before blocking the shawl measured 44".

During blocking the shawl spread a full 55" or 1.4m across, pretty much dominating our small living room. Bear spend much of the day shooing Yoyo the cat off the mat, and Yoyo spend much of the waiting for bear to leave so she could sit on the wet shawl.

The lace opened up beautifully, which was a surprise, as I thought the possum part of the yarn would bloom and close the lace considerably.

The shawl weighs 221 g dry, and was worked on 3.5mm needles, the garter boarder on 4mm. I slipped the edge of the boarder to make a neat chained edge, and attached the band with a simple k2tog. I blocked the shawl with TIG welding wires and tee-pins, running the wires through each slipped stitch.

And I went for the heart option on the edge ....

So time to knock-off and complete the other WIPs ... and plan something for my swap partner.

Na Stella

Cat included for scale

 

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